THE INVESTIGATION OF LITERARY AND MUSIC FROM THE ONTOLOGY PERSPECTIVE IN ACCORDING TO THE INGARDEN,S VIEW

Autores

  • Ali Ashrafi Department of English language, University of Applied Science and Technology, Tehran, Iran

DOI:

https://doi.org/10.22478/ufpb.2179-7137.2019v8n2.46515

Palavras-chave:

Ontology, phenomenology, music, literary work, Ingarden

Resumo

The classical music works have a single ontology. On the one hand, the musical work is the one that the composer has composed, and on the other hand, this work gets a different existence every time. The existence of literary work is also a layer of layer, and the effect is realized in varying degrees in each of these layers. Roman Ingannd is the founder of the ontology of art. According to Ingardin,s view, every work of art has unconventional spaces that the audience completes during their aesthetic experience. Therefore, understanding the work of art requires the active participation of the audience and the work is calibrated in an interdisciplinary approach.

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Referências

Gniazdowski, Andrzej. (2010). “Roman Ingarden”, Handbook of Phenomenological Aesthetics, eds. Hans Rainer Sepp, L. Embree, Dordrecht:

Springer.

Ingarden, Roman. (1973a). The Literary Work of Art. An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature, translated by George G. Grabowicz, Evanston, Illinois: Northwestern University Press.

Ingarden, Roman. (1973b). The Cognition of the Literary Work of Art , translated by Ruth Ann Crowley and Kenneth R. Olson, Evanston, Illinois: Northwestern University Press.

Ingarden, Roman. (1989). Ontology of the Work of Art. The Musical Work, The Picture, The Architectural Wrok, The Film, translated by Raymond Meyer with John T. Goldthwait, Athens, Ohio: Ohio University Press.

Iseminger, Gary. (1973). «Roman Ingarden and the Aesthetic Object», Philosophy and Phenomenological Research, Vol. 33, No. 3, pp. 417-420.

Limido-Heulot, Patricia. (2013). Roman Ingarden, Rennes: Presses universitaires de Rennes.

Mitscherling, Jeff. (1997). Roman Ingarden’s Ontology and Aesthetics , Ottawa: University of Ottawa Press.

Potocki, Christophe. (2013). «Introduction», Roman Ingarden : ontologie, esthétique, fiction, sld. J.-M. Schaeffer, Paris: Editions des archives contemporaines.

Publicado

2019-07-03

Como Citar

ASHRAFI, A. THE INVESTIGATION OF LITERARY AND MUSIC FROM THE ONTOLOGY PERSPECTIVE IN ACCORDING TO THE INGARDEN,S VIEW. Gênero & Direito, [S. l.], v. 8, n. 2, 2019. DOI: 10.22478/ufpb.2179-7137.2019v8n2.46515. Disponível em: https://periodicos.ufpb.br/index.php/ged/article/view/46515. Acesso em: 29 dez. 2024.

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