Dramatic condensation and accumulation in Anton Chekhov

Authors

  • Nicholas Rauschenberg Universidade de Buenos Aires

DOI:

https://doi.org/10.22478/ufpb.2177-8841.2020v11n1.53476

Abstract

Based on an exhaustive reconstruction of Antón Chekhov's main plays, we seek in this article to think of two essential notions for playwrights: dramatic condensation and accumulation. After thinking about a dialectic between dissociation and condensation, we analyze Tío Vania and the later works, showing how Chekhov elaborated from the rewriting of Fauno and La Gaviota an economy of characters, links and dramatic situations of accumulation from more sophisticated condensations in the stories.

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Published

2020-06-21

How to Cite

RAUSCHENBERG, Nicholas. Dramatic condensation and accumulation in Anton Chekhov. MORINGA - Artes do Espetáculo, [S. l.], v. 11, n. 1, 2020. DOI: 10.22478/ufpb.2177-8841.2020v11n1.53476. Disponível em: https://periodicos.ufpb.br/index.php/moringa/article/view/53476. Acesso em: 22 oct. 2026.

Issue

Vol. 11 No. 1 (2020): Borders in dialogue

Section

EPISTEMOLOGIA DA CENA

License

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