Vol. 16 No. 1 (2025): BETWEEN IMAGES, POETICS AND MELODIES

• IMAGES, POETICS AND MELODIES

  A Editoria

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EPISTEMOLOGIA DA CENA

• The AESTHETIC TURN IN CONTEMPORARY CRITICAL THEORY

  Igor Peres

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• FROM JACQUES COPEAU TO JACQUES LECOQ: NOTES ON AFFILIATION

  Cláudia Müller Sachs, Ismael Scheffler

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• THE MELODY OF MOURNING: representation of the feminine in Evadne’s song in Euripides

  Luciano Heidrich Bisol

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CREATION PROCESSES

• THE SCENIC POETICS AND THE COSTUME: an analysis of Gabriel Villela’s creative processes

  Lorena Mota Catabriga, Carlos Daniel Donadeli Zanelati

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• HERALDO LINS, HYBRIDIZATION AND INCORPORATION OF POPULAR PUPPETRY INTO CULTURAL INDUSTRY

  André Carrico

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• THE PRESENCE OF ROBERT E. SHERWOOD IN TENNESSEE WILLIAMS’ WORKS

  Luis Marcio Arnaut de Toledo

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• FROM THE STREET TO POETRY: a dive into the scene of the group O Buraco d’Oráculo

  Rodrigo Lopes Reis

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DIALOGUES AND BORDERS

• PHOTOGRAPHY, MEMORY AND DRAMATURGY OF REALITY IN FILHO DE MARIA (2022)

  Pricilla da Silva Conserva, Luciane Viana Barros

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• DRAMATURGY OF VISUALITY: MEANINGS OF THE VISUAL DOMAIN OF THE SCENE AND/OR SCENIC IMAGES

  Lucas Larcher

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• VIDEO DANCE “5, 6, 7, 8 PLAY”: CREATION PROCESS OF CHILDREN’S AND YOUTH’S WORK IN DANCE IN THE PANDEMIC

  Daniela Llopart Castro , Rebeca Recuero Rebs, Daniela Ferreira de Souza, Eleonora Campos da Motta Santos

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MESTRES DO SÉCULO

• ARTAUD, TRUTH AND SIMULACRUM

  Carmem Gadelha

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• THE LETHAL WEAPON THAT DREAMS: POLITICAL POETICS IN THE DANCE OF TATSUMI HIJIKATA

  Éden Peretta

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• KLAUSS VIANNA: BRAZILIAN RESEARCH ON THE BODY BETWEEN DANCE AND THEATER

  Jussara Miller

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