Uma certa tendência do filme musical de Hollywood
Resumo
No início da década de 1930, os grandes estúdios californianos desenvolveram um modelo para a comédia musical, que se tornaria emblemático do cinema de Hollywood até meados da década de 1960. Para o efeito, apostaram no mais popular vocalista deste período, Bing Crosby, o crooner cujo estilo influenciou gerações de cantores norte-americanos, entre os quais estrelas como Dean Martin, Elvis Presley e Pat Boone, que foram os grandes protagonistas de uma tendência do filme musical de hollywoodiano que privilegiava cantores populares de estilo naturalista, capazes de interpretar canções sem evidenciar a técnica vocal.
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Referências
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GIDDINS, Gary. Bing Crosby: A Pocketful of Dreams, The Early Years, 1903-1940. Boston: Little Brown and Company, 2001.
GRUDENS, Richard. Bing Crosby – Crooner of the century. New York: Celebrity Profiles Publishing, 2003.
GUARALNICK, Peter. The King of Rock and Roll – The Complete 1950’s Masters. BMG, 1992.
GUARALNICK, Peter e JORGENSEN, Ernest. Elvis Day by Day. Bal-lantine Books., 1999.
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LEV, Peter. The Fifties: Transforming the Screen 1950-1959. Universi-ty of California Press., 2003.
MATTHEW-WALKER, Robert. Elvis Presley: A study in music. Lon-don: Midas Books., 1979.
MUNDY, John. Popular Music on Screen: From Hollywood musical to music video. Manchester University Press., 1999.
PROGOZY, R., RAUBICHEK W. Going My Way-Bing Crosby and American Culture. University of Rochester Press, 2007.
RAY, Robert B. A certain Tendency of the Hollywood Cinema, 1930-1980. New Jersey: Princeton University Press, 1985.
RUSSO, Eduardo A. El Cine Clásico: Itinerarios, variaciones y re-planteos de una idea. Buenos Aires: Manantial, 2008.
SCHOELL, William. Martini Man -The Life of Dean Martin. Boston: Taylor Trade Publishing., 1999.
XAVIER, Ismail. O Discurso Cinematográfico: a opacidade e a trans-parência (3ª edição). São Paulo: Paz e Terra, 2005.
ALTMAN, Rick. The American Film Musical. London: Indiana Univer-sity Press, 1987.
BERTRAND, Michael T. Race, Rock and Elvis. Chicago: University of Illinois Press, 2005.
BRODE, Douglas. Elvis Cinema and Popular Culture. London: Mcfar-land & Company, 2006.
BYRNE, Kevin. The Tautology of Blackface and the Objectification of Racism: A “How-To” Guide. The European Legacy, v. 21, n. 7, p. 664-674, 2016.
CASPER, Drew. Post-War Hollywood: 1946-1962. Blackwell Publish-ing, 2007.
DOHERTY, Thomas. Teenagers and Teenpics: The Juvenilization of American movies in the 1950’s. London: Unwin Hyman, 1988.
DICK, Bernard. Hal Wallis, Producer to the Stars. The University Press of Kentucky, 2004.
FRIEDWALD, Will (2005). Elvis at 70. Consultado online em 27/07/2020. Disponível em: http://www.elvis.com.au/presley/elvis_at_70.shtml.
HEMMING, R., HADJU, D. Discovering Great Singers of Classic Pop. New York. New Market Press, 1991.
GIDDINS, Gary. Bing Crosby: A Pocketful of Dreams, The Early Years, 1903-1940. Boston: Little Brown and Company, 2001.
GRUDENS, Richard. Bing Crosby – Crooner of the century. New York: Celebrity Profiles Publishing, 2003.
GUARALNICK, Peter. The King of Rock and Roll – The Complete 1950’s Masters. BMG, 1992.
GUARALNICK, Peter e JORGENSEN, Ernest. Elvis Day by Day. Bal-lantine Books., 1999.
HAMILTON, Jack. Just Around Midnight. Harvard University Press, 2016.
LEV, Peter. The Fifties: Transforming the Screen 1950-1959. Universi-ty of California Press., 2003.
MATTHEW-WALKER, Robert. Elvis Presley: A study in music. Lon-don: Midas Books., 1979.
MUNDY, John. Popular Music on Screen: From Hollywood musical to music video. Manchester University Press., 1999.
PROGOZY, R., RAUBICHEK W. Going My Way-Bing Crosby and American Culture. University of Rochester Press, 2007.
RAY, Robert B. A certain Tendency of the Hollywood Cinema, 1930-1980. New Jersey: Princeton University Press, 1985.
RUSSO, Eduardo A. El Cine Clásico: Itinerarios, variaciones y re-planteos de una idea. Buenos Aires: Manantial, 2008.
SCHOELL, William. Martini Man -The Life of Dean Martin. Boston: Taylor Trade Publishing., 1999.
XAVIER, Ismail. O Discurso Cinematográfico: a opacidade e a trans-parência (3ª edição). São Paulo: Paz e Terra, 2005.
