CRITICAL STUDY OF IRANIAN MOVIE »NASSEREDIN SHAH, ACTOR OF CINEMA «ON THE BASIS OF THEORIES OF THE POSTMODERN NOVELS

Autores

  • Shirzad Tayefi Associate Professor of Allameh Tabataba'i University, Department of Persian Language and Literature
  • Mohammad Hossein Ramezani Fookulaee MA in Comparative Literature of Allameh Tabataba’i University, Department of Persian Language and Literature

DOI:

https://doi.org/10.22478/ufpb.2179-7137.2019v8n3.47648

Palavras-chave:

Postmodern School, Postmodern Novel, Iranian Cinema, Postmodern Cinema, Written Text, Visual TextPostmodern School, Visual Text

Resumo

Contrary to the French school of comparative literature, according to which it is merely possible to compare the two written texts in terms of conditions, in the American approach, the adaptation of literary texts to various arts, including cinema, is possible, which leads to a better understanding of literature. Since novels and films have many similarities, they are in many respects similar to each other, and two genres are considered analogous.These commons provide a good ground for discussing a movie from the perspective of a new literary theory and critique, and allow us to use the concepts and terminology we normally know as a tool for discussing the novel to critically explore the structure and art and the themes of the film. On the other hand, in recent years, the term "postmodernism" has been widely criticized about the novel in our country, and many new fiction writers also have a fascination with postmodern style fiction. Therefore, in this research, first, reviewing the views of some of the most important postmodern literature scholars, nineteen techniques used in postmodern novels are explored, and their qualitative method of applying them to Naser al-Dinshah film actor have been investigated.The results of the study show the relationship between literature and cinema (as a visual text) and the ability to compare the two written and visual texts; as many techniques used in the writing of postmodern novels are also with a high frequency have been used in the studied film

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Publicado

2019-08-30

Como Citar

TAYEFI, S.; FOOKULAEE, M. H. R. CRITICAL STUDY OF IRANIAN MOVIE »NASSEREDIN SHAH, ACTOR OF CINEMA «ON THE BASIS OF THEORIES OF THE POSTMODERN NOVELS. Gênero & Direito, [S. l.], v. 8, n. 3, 2019. DOI: 10.22478/ufpb.2179-7137.2019v8n3.47648. Disponível em: https://periodicos.ufpb.br/ojs2/index.php/ged/article/view/47648. Acesso em: 19 jan. 2022.

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