THE USE OF THE SOCIOLOGICAL PORTRAIT TO OBSERVE VISIBLE SOCIAL CONDITIONS NECESSARY FOR THE MANIFESTATION OF THE “TASTE” FOR ART

Authors

DOI:

https://doi.org/10.46906/caos.n29.63860.p190-215

Keywords:

cultural capital, dispositions, Lahire and Bourdieu, middle class

Abstract

This article seeks, through the application of the “sociological portrait” methodology, as suggested by Lahire, to observe the genesis of the dispositions and taste of a young middle-class artist from Recife. Lahire proposes to think with and against Bourdieu to reflect on the embedded social, and, through this work, we intend to build a dialogue between the two authors in order to reflect on Bourdieu's contributions regarding his critique of the charismatic ideology that perceives “taste” and cultural practices as innate to individuals.

 

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Author Biography

Bernardo Fortes, Universidade Federal da Paraíba (UFPB)

Doutorando pelo Programa de Pós-graduação em Sociologia da Universidade Federal da Paraíba (PPGS/UFPB). Mestre em Antropologia Pelo Programa de Pós-graduação da Universidade Federal de Pernambuco (PPGA/UFPE), bacharel em Ciências Sociais pela UFPE. Atualmente pesquisa sociologia da cultura com ênfase em gosto e estilo de vida. Currículo Lattes.

Published

2022-12-08