FORMATIVE FUNCTION OF THE MIRROR STAGE:

VISUAL IMAGES IN THEIR HISTORY

Autores

  • Lidiya I. Kirsanova D.Sc. (philosophical), professor of department of philosophy and legal psychology Vladivostok State University of Economics and Service Russia
  • Olga A. Korotina Associate Professor of department of philosophy and religion Far Eastern Federal University

Palavras-chave:

static images, dynamic images, mask, photograph, movie, Self-Other Image, split of ego-subject, strategies of piecing together and scattering

Resumo

In this paper we have attempted to link at least three concepts. Firstly, the idea of J. Lacan about the function of the mirror stage in the formation of the subject. A detailed distinction is made between the  Eye and the Glance for new technical means that did not fall within Lacan’s view – photographs, videos and movies. The Eye is geometric: it allows one to build a plan of the place, a distance to objects in lines, squares, etc. The Glance masters the anthropological dependence on Eye, it immerses the viewer in the content of the visible: the I never see the Other from the place where the Other looks at me, which determines fragmentation of the subject in the very visional. The second concept that we have used is that the ideal I uses a set of figures created by numerous forms of culture – masks, puppets, photos, videos and film sequences, fragmenting a mirror image of an individual. The visional fragments of a partitioned body-image often connect with the I only externally like I-consciousness-in outside. The third concept is associated with the answer to the question of how the real, the  imaginary, the symbolic are “packaged” as in the case of relying on quite traditional forms of culture such as mask, doll, hand puppet, marionette, and using new means of “technical reproducibility” – photographs, video, movie. Image-statics - from mask to  photo, allows the subject to somehow piece together one’s self inner image, which forms the sustainability of the man’s mental world, while movement images (video, body and movie eyes), due to their high image-dynamics, form the subject of scattering, existing as external image of oneself.

Downloads

Não há dados estatísticos.

Referências

Аgamben, G. The Open. Man and Animal. Translated from Italian and German by B. M. Skuratov М.: RSUH, 2012. 112 p.
Barthes R. Camera lucida. Commentary to the Photograph / R. BarthesБарт. – М.: Benjamin W, 2011. — 272 p.
Barthes R. The Myth Today / R. Barthes. // Selected Works: Semiotics. Poetics. — М.: The Progress Publishing Group, 1994. — P. 72—130
Benjamin W. A Brief History of Photography / W. Benjamin // A work of Art in the Era of its Technical Reproducibility. Selected Essays. – М.: Мedium, 1996. — P. 66—91.
Benjamin W. A work of Art in the Era of its Technical Reproducibility. / W. Benjamin // // A work of Art in the Era of its Technical Reproducibility. Selected Essays. — М.: Medium, 1996. — 15—65.
Deleuze G. Cinema / G. Deleuze. — М.: The Ad Marginem Press, 2013. — 560 p.
Derrida J. Spectres de Marx. L`État de la dette, le travail du deuil et la nouvelle Internationale / J. Derrida; Translated from French by B Skuratov. — М.: Logos-altera, 2006. — 256 p.
Derrida , Jacques. Geschlecht II: Heidegger’s Hand / Jacques Derrida // What is Called Thinking? = Was heisst denken? : Translated from German /Martin Heidegger; preface by О.А. Matveichev; postface by E. N. Sagetdinov . – [2nd Edition]. – М.: Academic Project, 2010 .
Carol J. Clover “Her Body, Himself: Gender in the Slasher Film” / Translated by I. Kushnareva. Logos [Electronic Resource] : Philosophical Literary Journal .— М. : The Gaidar Institute Press.— 2014 .— Issue 6 .— 239 p. — Access Mode: https://rucont.ru/efd/246722
Lacan J. The Signification of the Phallus // The Instance of the Letter in the Unconscious, or Reason since Freud / Translated from French into Russian by А. К. Chernoglazov, М. А. Titova. -М.: The “Russian Phenomenological Society”, The Logos, 1997.
Lacan J. The Four Fundamental Concepts of Psychoanalysis / J. Lacan. — М.: Gnosis 2004. — 116 p.
Mazin V.А. Introduction into Lacan. [Electronic Resource] / V. А. Mazin. Access Mode: http://www.e-reading-lib.org/book.php?book=36113
Merleau-Ponty М. The Visible and the Invisible/ М. Merleau-Ponty; translated from French into Russian by О. N. Shparaga. — М.: Longvinov, 2006. — 400 p.
Merleau-Ponty М. Eye and Mind / М. Merleau-Ponty; translated from French into Russian., preface and commentary by А. В. Gustyr. — М.: Iskusstvo, 1992. — 63p.
Heidegger М. The Source of Literary Work [Electronic Resource] / М. Heidegger. Access Mode: http://www.gumer.info/bogoslov_Buks/Philos/Heidegg/Ist_index.php

Publicado

2020-06-08

Como Citar

I. KIRSANOVA, L. .; A. KOROTINA, O. . FORMATIVE FUNCTION OF THE MIRROR STAGE:: VISUAL IMAGES IN THEIR HISTORY. Gênero & Direito, [S. l.], v. 9, n. 04, 2020. Disponível em: https://periodicos.ufpb.br/ojs/index.php/ged/article/view/53184. Acesso em: 21 nov. 2024.

Edição

Seção

Seção Livre