AESTHETICS OF THOUGHT:
AN INTRODUCTION TO SEMIOTICS BY C. S. PEIRCE
DOI:
https://doi.org/10.7443/problemata.v14i2.67869Keywords:
Aesthetics, Semiotics, PeirceAbstract
This article addresses the notion of sign developed by C. S. Peirce. We are evoking its semiotic system in an intertwined way, which is always repeated in recurrence, since semiotics is a logical system that, at its core, studies signs and their relationships. By stating that everything is a sign, what is meant with it is that the meaning contained in an idea can be transmitted to any interpretant. Therefore, semiotics is contained in the phenomenological plane of Peirce's philosophy, and it has the capacity to establish general interpretative relations about reality. In this way, everything that can be said or thought is logically semiotics, that is, it is a sign. We present the conceptualization and classification of the types of signs described by Peirce, highlighting the counterpoints between the standardized (usual) ideas and the Peircean proposal, regarding the relationship that exists between these three terms: sign-object-representative.
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