THE BREVITY OF THE SPEAKING BODY: POETIC CONCISION IN PAULA TAVARES PRODUCTION

A CONCISÃO POÉTICA NA PRODUÇÃO DE PAULA TAVARES

Abstract

Facing the Angolan female literary productions, some writers have resorted to literature to, through memory and ancestral tradition, show erstwhile scenery by they own words and literary commitment, like the poet Ana Paula Tavares, whose two faces (intimate and collective) manage outline your poetic project, in which we see not only literature, but the denunciation of someone who has been silenced for a long time. So, this article aims to verify the conciseness within the poetic production of Ana Paula Tavares, envisioning the presence of unique characteristics that give subjectivity to her texts, through imagery creations in relation to the woman's body and the mother-earth. In addition to briefly sketching the productions of female authorship in Angola: their characteristics, distinctions and approaches. For this, we base ourselves on the ideas of Arenas (2019), Candido (1987), Lótman (1978), Padilha (2002; 2007), Paz (1994) and Pound (2006). The analyzes were made by means of three poems selected from the author's collected poetry entitled Amargos como os frutos (2011), in which we observe the author in her nuances of the woman-self and the social self.