RELAÇÕES DE TRABALHO NA INDÚSTRIA CINEMATOGRÁFICA NOS ANOS 1950 EM SÃO PAULO: O CASO DA COMPANHIA MARISTELA

Abstract

This work intends to present the historical case of Companhia Cinemarográfica Marisreia anel the conflicts in the work relationships of São Paulo Stare movie industry in the 1950s. We will point Ollt some elements of the relarionship among São Paulo Srare bourgoise, cultural patronage and movie culture in the São Paulo city. By the years after the World War 2, the growing movie industry in the São Paulo Srare was patr of a process in which the cultural market became important due to the increasement of middle class, and the movie job marker to tecnicians, atrists, film producets and other professionals was enlarged. The increasing of Cinema Clubs shows how intelectuals put the movic culrure as an impotrant thing to be discusscd ar thar time. Companhia Maristela statrcd its activities in this context. The financial return of first films was weak, provoking a financial crisis. About 100 of the 150 the employers were fired, starting a crisis in the work relationships. Some protests of the employers were registered, exposing violations of the Brazilian labor legislation, The case of Maristela point the limits of Brazil movie industry ar thar time.