Uma única estrofe de um cordel inacabado

Abstract

Writing about oneself can be challenging, but it allows us to realize how much our experiences are intertwined with experiences that constitute the fabric of everyday life. In this article, we provide a narrative arising from the diversity of written records that contributed to the experimental character of the different versions of the training process. The unique itinerary, of uncertainties and meandering deviations, between the training process offered by higher education and the learning and teaching spaces of community life gaves way to the prose that constitutes the relationship with the formation and transformation of what we are. From there, the experience appears in the solitary and silent dimension of the risky and plural exercise of interpretation, of orality in the face of the eccentric movement that opens up to its own metamorphosis, allowing to escape from universal interpretations to manufacture the opening of a new and unpredictable future. The path followed and existentially endless, therefore unfinished, revolved around six sections, ending with the biographical trajectory, presented through the cordel genre, by the master/craftswoman Terezinha Gonzaga.