Vol. 19 (2023): Annual issue in continuous publication

Articles

• Transgression and prejudice as a new aesthetics of brazilian right: the case of Olavo de Carvalho

  Rafael Angrisano

  2-17

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• Publish, perish: the impact of the pandemic on women's scientific production in communication' field

  Laura Wottrich, Milena Freire de Oliveira-Cruz, Antônia Tâmara Haag, Nathalia Da Silva Brum

  18-39

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• Consumption, Material Culture and Industry of Happiness: achievement promises and emotions mercantilization on the TV show Amazing Hotels

  Manuela do Corral Vieira, Amanda Santos de Oliveira

  40-56

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• Cancel Culture, Cultura do Cancelamento and Cultura de la Cancelación: the state of the art in the human sciences, in an international context.

  Kaique Mancoso, Wania Caldas, Diogenes Lycarião

  57-77

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• The representation of the indian "new woman" in Bollywood: a reading of the films Piku (2015) and Gangubai Kathiawadi (2022)

  Ivan Marcos Ribeiro, Caroline Silva Ribeiro, Jéssica Regina Guerra de Souza

  78-95

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• The importance of deaf consultancy in audiovisual and the model created by the Olhos Caros Producer

  Rafael Emil, Flávia Viana, Rafaela de Medeiros Alves Korossy

  96-114

  • PDF (Português (Brasil))
  • XML (Português (Brasil))

• The place on Rádio Nacional: an analysis of the programming

  Izani Mustafá, Kátia Fraga, Erivelto Amarante, Robson Sousa, Jefferson Sousa

  115-132

  • PDF (Português (Brasil))
  • XML (Português (Brasil))