BETWEEN AFFECTIONS: reflections on an experience of Quilombo university theatre

Authors

DOI:

https://doi.org/10.46906/caos.n26.54424.p126-139

Keywords:

Staging Process, Quilombo University Theatre, Body Witness, University Black Theatre

Abstract

Through the notion of Quilombo university theatre, this article reflects on the process of investigation of the show Interiors of the Theatre Collective Fraude Pura, and on the affective memories that run through the body of the artist who experiences and witnesses all the action. By asserting himself as a black body, the university artist relies on counter-hegemonic constructions of being and being in the world. Such constructions are incentives to generate a particular look at university artistic creation.

         

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Author Biography

Jéssica Sampaio da Silva, Universidade Federal da Bahia (UFBA)

Graduada em Gestão Ambiental pela UNIJORGE/Brasil, licencianda em Teatro pela UFBA/Brasil. Atriz, pesquisadora e agitadora cultural dos coletivos teatrais “E” ao Quadrado e Fraude Pura. ID Lattes: 7976397259416281.

 

Published

2021-06-12

Issue

Section

DOSSIÊ POÉTICAS POLÍTICAS AFRODIASPÓRICAS: abordagens interdisciplinares