THE ARTISTIC PRACTICES OF STREET ART IN RECIFE: relations with techniques and public policies

Abstract

Every society is constituted politically, economically and culturally. In this sense, the pluralities of identities, as well as the technical forms of execution of artistic practices, serve for the purpose of analyzing representations. From this, I seek to relate Molefi K. Asante's methodology of Afrocentricity (2009) in order to analyze the effects of the process of deconstruction of racist ideology, dialoguing with the historical consciousness of cultural resistance, and the epistemology of cultural practices (artistic technical reproducibility) of survival of black people that manifest themselves in the cultural context of the historic center of Recife, through the analysis of four images of graffiti and pixo. Questions are considered: Does the state of Pernambuco produce public policies for the integration of these expressions into the cultural environment? How do these artists feel about using them or not? It is understood that every individual develops in a social environment, and consequently, the creative and technical processes also allow us to understand ourselves socially.