Discrimination And Intolerance in the Art

Authors

  • Vitor Correia

DOI:

https://doi.org/10.18012/arf.2016.18375

Keywords:

discrimination, intolerance, age, gender, art

Abstract

When the people speak about discrimination and intolerance, it is usually in reference to the racial, religious, political, sexual, age, problems, etc., and does not refer, or refers less, the discrimination and the intolerance determined by artistic reasons, or with these related : the age differences in art, the sexism in art, and the rejection of works of art. In this text we intend to show the existence of these forms of discrimination and intolerance, explain what they mean, its causes, and its aftermath. We analyze the specificity of each of the discrimination and intolerance in the artistic field,  and the social weight they have in the world today.

Downloads

Download data is not yet available.

Author Biography

Vitor Correia

* Pós-Doutorado em Ética e Filosofia Política, na Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. Doutorado em Filosofia Política e Jurídica, na Universidade da Sorbonne, em Paris. Pós-Graduação em Formação Educacional, na Faculdade de Letras da Universidade de Coimbra. Mestrado em Estética e Filosofia da Arte, na Faculdade de Letras da Universidade de Lisboa (antes do Processo de Bolonha). É membro de Sociedades científicas, de Institutos de pesquisa, e de Associações culturais, nacionais e internacionais.

References

AYTO, John, (1999), 20th.Century Words, Oxford, Ed. Oxford University Press.

BARTLEBY, (2000), “Lookism”, in The American Heritage Dictionary of the English Language, New York, Ed. Fourth Edition.

BORDIEU, Pierre, (1979), La distinction, Paris, Ed. Minuit.

IDEM, Consommation culturelle, (1996), Paris, Encyclopedia Universalis.

CERTEAU, Michel de, (1990), L’invention du quotidian. Arts de faire, Paris, Ed. Gallimard.

ECO, UMBERTO, (dir.), (2007), História do Feio, Lisboa, Ed. Difel.

FOUCAULT, Michel, (2009), Le corps utopique. Les hétérotopies, Paris, Ed. Lignes.

GAMBONI, Dario, (1983), Un iconoclasme moderne. Thèories et pratiques contemporaines du vandalisme artistique, Zurique/Lausanne, Ed. d’En Bas.

IDEM, (1983), “Méprises et mépris. Éléments pour une étude de l’iconoclasme contemporain”, in Actes de la recherche en sciences sociales, nº. 49, Setembro.

HAKIM, Catherine, (2013), Capital Erótico. Pessoas atraentes são mais bem sucedidas, Rio de Janeiro, Ed, Best Business.

HAMERMESH, Daniel, (2013), Beauty Pays. Why attractive people are more successful, Princeton, Ed. Princeton University Press.

HAUSS, J., (1978), Pour une esthètique de la réception, Paris, Ed. Gallimard.

HOGGART, Richard, (1992), The uses of literacy, London. Ed. Penguin Books.

INGLEHART Ronald, (1977), Silent Revolution : Changing Values and Political Styles Among Western Publics,Princeton, Ed. Princeton University Press.

IDEM, (1989), Culture Shift in Advanced Industrial Society, Princeton, Ed. Princeton University Press.

LIPOVETSLY, Gilles, (2010), O Império do efémero, Lisboa, Ed. Dom Quixote.

PASSERON, Jean-Claude, (1991), “L’usage faible des images- Enquêtes sur la réception de la peinture”, in Le raisonnement sociologieque. L’espace non poppérien du raisonnement naturel, Paris, Ed. Nathan.

SILVA, Raquel Henriques, e Sandra LEONARDO (2013), Mulheres pintoras em Portugal, Lisboa, Ed. Esfera do Caos.

SIMMEL Georg, (2008), Filosofia da moda e outros escritos, Lisboa, Ed. Texto & Grafia.

STERLING, Anne Fausto, (2012), Corps en tous genres : la dualité des sexes à l’épreuve de la science, Paris, Ed. La Découverte.

TARDE, Gabriel , (1989), L’opinion et la foule, Paris, Ed. PUF.

TIETJE, Louis, e Steven CRESAP, (2005), “Is the lookism injust ?”the ethics of aesthetics and public policy implications”, in Journal of libertarian studies, vol. 19, nº. 2, pp. 31-50.

V.V., (2005), ,Le sens de l’indécence: la question de la censure des images à l’âge contemporain, Paris, Ed. Lettre volée.

VV.,(1973), Texto da Convenção nº. 138 da Organização Internacional do Trabalho (OIT).

Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho

Additional Files

Published

2014-03-11

How to Cite

Correia, V. (2014). Discrimination And Intolerance in the Art. Aufklärung, 1(1), p.61–74. https://doi.org/10.18012/arf.2016.18375

Issue

Vol. 1 No. 1 (2014): Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho

Section

Articles

License

Journal general policy

1.This journal works under a Creative Commons License aplied to online journals. That icence can be read in the following link: Creative Commons Attribution 4.0 International (CC BY 4.0).

2.Accordingly to this License, a)the journal declares that authors hold the copyright of their articles without restrictions, and they can archieve them as post-print elsewhere. b)the journal allow the author(s) to retain publishing rights without restrictions.

 

Metadata Policy for information describing items in the repository

1. Anyone may access the metadata free of charge at anytime.
2.The metadata may be re-used in any medium without prior permission, even commercial purposes provided the OAI Identifier or a link to the original metadata record are given, under the terms of a CC BY license refered for the Journal.