The incarnate: spirit expression and transcendence in the work of Paul Cézane
DOI:
https://doi.org/10.18012/arf.v7iesp.56745Keywords:
Spirit, flesh, world, being, paintingAbstract
In this article we propose to think of the notion of spirit embodied in Merleau-Ponty and Paul Cézanne's painting in direct contact with the raw and vertical world, which provides, from creation, contact with being and its possibility of transcendence through expression. This discussion considers the possibility of thinking about a new path of philosophical investigation that takes Cézanne's painting as a model and transcends the work, so that philosophy is based on the previous soil of all knowledge that is the very expression of being and is configured while latency and openness.
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