DEL CINE A LA TELEVISIÓN: UN ESTUDIO COMPARADO ENTRE LOS PERSONAJES DE THE VIKINGS (RICHARD FLEISCHER, 1958) y VIKINGS (MICHAEL HIRST, 2013)
Abstract
The approach to the film The Vikings and the TV series Vikings, from a comparative study, is of interest to understand that, although they start from the same historical fact, the conjugation of some formal elements, such as the construction of the characters, determines their structure and their connection with a certain model of representation. The objective of this work is to demonstrate how, in classic cinema, the characters, like the rest of the elements that make up the film, are subjected to the narration while, in the television series, in which the viewers hold an active position, the characters acquire a psychological dimension that determines their functionality within the storyDownloads
Downloads
Published
Issue
Section
License
The author (s) of the original submitted undertake to comply with the following:
- All authors are publicly responsible for it.
- The authors claim that this original is their own and that they assume full responsibility to third parties, whether moral or patrimonial, by reason of its content, stating that the work does not infringe any intellectual property rights of third parties.
- The author (s) agree to the copyrights of the original to Scandia Journal, to which they grant permission for its reproduction, editing and online publication.
- The author (s) grant their copyright of their original to the Scandia Journal, licensed under the Creative Commons Attribution License, which allows the sharing of this work with the acknowledgment of their authorship.
- The author (s) have permission and are encouraged to cite and distribute their original.