A NOTE TO KANT’S TRANSCENDENTAL AESTHETIC
DOI:
https://doi.org/10.7443/problemata.v12i2.58718Keywords:
Criticism, Epistemology, Transcendental Aesthetic, KantAbstract
Transcendental aesthetic is presented as the doctrine of the a priori possibility of finite knowledge, and not as the problem of the possibility of synthetic a priori knowledge. The doctrine of space and time, the heart of Kant’s theory of knowledge, ensures not only the unity of a sensitive consciousness hic et nunc with respect to a new ontology, but also seems to demonstrate Kant’s conviction that a priori synthetic knowledge of the soul, the world and God is impossible. Paradoxically, and transcendental aesthetic is the best example, the very architectonic of the faculties becomes a much more gnoseological task than could be expected from a cosmopolitan philosopher like Kant.
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