The issue of the affirmation of existence in Friedrich Nietzsche's "The Birth of Tragedy"
DOI:
https://doi.org/10.18012/arf.v11i2.68762Keywords:
Nietzsche, Aesthetics, Apollonian, Dionysian, Art, Affirmation of lifeAbstract
This artic explores Nietzsche's concepts regarding the formation of art, as presented in "The Birth of Tragedy," investigating the duality between the Apollonian and Dionysian artistic impulses. The central focus lies in the aesthetic justification of existence through art, whether through the form provided by the Apollonian or through the duality between the Apollonian and Dionysian in tragic art, as a fundamental interplay of human experience. We will argue about the tension between universal unity and individuality, which the philosopher presents as the core of the aesthetic effect of tragedy, contributing to the affirmation of life and the attainment of freedom.
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References
ARALDI, Claudemir. As criações do gênio — ambivalências da “metafísica da arte” nietzschiana. IN: KRITERION, Belo Horizonte, nº 119, Jun./2009, p. 115-136.
DECHER, Friedhelm. Nietzsches Metaphysik in der “Geburt der Tragödie”.Nietzsche-Studien, Berlim, n. 14, 1985.
NIETZSCHE, F. O nascimento da tragédia: ou Helenismo e Pessimismo. Tradução de J. Guinsburg. São Paulo: Companhia das Letras, 1992.
SCHOPENHAUER, A. O mundo como vontade e como representação. Tradução de Jair Barbosa. São Paulo: UNESP, 2005.
REIBNITZ, Barbara von. Kommentar zu Friedrich Nietzsche "Die Geburt der Tragödie aus dem Geiste der Musik. Stuttgart & Weimar, 1992.
REGINSTER, B. The affirmation of life: Nietzsche on overcoming nihilism.Cambridge/Massachusetts/London: Harvard University Press, 2006.
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