Specters and female bodies: night screams

Authors

  • Andreia Aparecida Marin Universidade Federal do Triângulo Mineiro
  • Marcos Câmara de Castro Universidade de São Paulo/Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto

DOI:

https://doi.org/10.22478/ufpb.1807-8214.2020v30n1.51713

Keywords:

Specters. Woman. Animal. Night.

Abstract

This text is produced from the connection of the themes: the night, the darkness, countless and provocative specters, in addition to those historically excluded and relegated to the dimension of darkness - women, animals, their hybrids - and the dimensions of art and literature, spaces permissive to their echoes. We searched for images in the writing of Clarice Lispector and in the surrealist paintings by André Bresson and Salvador Dalí, constituting a set of spectra that motivated thoughts about Derrida's spectrology and about exclusion principles that lose strength with the suspension of the metaphysics of presence, allowing to see in the expressions of the nocturnal in the Gothic a positivation of the organic powers of the feminine and the animal.

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Author Biographies

Andreia Aparecida Marin, Universidade Federal do Triângulo Mineiro

Departamento de Educação. Área Filosofia e Educação. Grad. Biologia/USP e Filosofia/UFPR. Dra. Ciências/UFSCar.

Marcos Câmara de Castro, Universidade de São Paulo/Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto

Escritor e professor associado do Departamento de Música da Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto/USP. Graduado (1983), Mestrado (2001) e doutorado (2007) pela ECA/USP. Pós-doc na Universidade de Lorena, Nancy, França (2012-2013).

Published

2020-12-22

How to Cite

MARIN, A. A.; CÂMARA DE CASTRO, M. Specters and female bodies: night screams. Revista Ártemis, [S. l.], v. 30, n. 1, p. 149–166, 2020. DOI: 10.22478/ufpb.1807-8214.2020v30n1.51713. Disponível em: https://periodicos.ufpb.br/ojs2/index.php/artemis/article/view/51713. Acesso em: 22 dec. 2024.