Aruanda/ Las Hurdes

Abstract

From photoreports that where published in a period when there was a thin line dividing the journalistic text and the ficcional speech, became two world cinematographic marks, Linduarte Noronha’s Aruanda, and Luis Bunuel’s Las Hurdes, land without bread. The article compare similarity and differences between the two works. Keywords: documentary; Linduarte Noronha; Luis Buñuel; international documentary.