Telas, teletelas e filmes sensíveis

Abstract

This article is about the images of the cinema in 1984 and Brave New World and about how those images are related to the historical systems that inspired theirs authors to produce them. Once we establish these parallels we are guided to reflect about the cinema’s role as ideological tool, trough the Cultural Industry concept, and how it applies to the case of the cinema represented in such dystopias.